Posted by admin | Posted in Uncategorized | Posted on 06-03-2010
Tags: banjo, capo, da capo strings, da capo strings philippines, fretted, guitar, string
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Capo String
Play Like Keith Richards
Play like Keith Richards
Keith Richards of the Rolling Stones is certainly a world class guitar player, but unlike some guitarists, he is best known for his ‘feel' rather than his technique. He uses open tunings a great deal, and especially open g. If you can master some of his style you too will be able to ‘play like Keith Richards'.
If you listen closely to any of the records he's played on, you'll often notice that his guitar work relies on ‘space' and classic timing. It's hard to say exactly how he produces those riffs with such exquisite results, but part of the secret is to leave gaps in the guitar playing – where nothing is heard. This is what I mean by ‘space'. Often the listener is expecting to hear Keith's guitar at a certain position in the song, but that doesn't mean that he'll play anything at that moment. Leaving gaps in there is one way to play like Keith Richards. A quick listen to Honky Tonk Women will reveal the ‘spaces' that he uses. He lets the drum and bass and vocals ‘push' the song along whilst he waits to play in the ‘sweet spots' of the song.
If you want to get an idea of exactly how this works, listen to your favourite song and then play along with the rhythm guitar part, but leave those ‘spaces' and listen to how it changes the feel of the song. Syncopation is part of the style. One of the definitions you will find for syncopation is "the displacement of the usual rhythmic accent away from a strong beat onto a weak beat". Well, that's a very useful thing to be able to do, but it takes a little practice. To really get the best out of a song you'll have to play it many different ways using syncopation to come up with something fresh and original. We're all very used to blistering guitar solos but we often miss the skill of the rhythm guitarist, working ‘behind the scenes', so to speak.
The purpose of this article is to give you some pointers on Keith's playing style - it won't turn you into the new Keith Richards. Let's start by tuning your guitar from standard tuning to open g tuning.
Retune to Open-G Tuning
To change to open g we only need to detune 3 strings, the 1st (thinnest), 5th and 6th strings. Tune the 1st string down a tone to D – check it against your 4th string (which is a D). Do the same for the 6th string, down a tone to D – check it against your 4th string. Then finally tune your 5th string down to G – check it against your 3rd string (which is a G). Keith usually takes the top 6th string off, so you might want to do that too. If you have a Line 6 Variax guitar you can program both tunings into the guitar, which means you can change tunings at the flick of a switch! Very handy indeed!
If you strum the guitar from the top (thickest string) down to the first (thinnest) string you have a g chord without fretting any notes – so you won't need your other hand at all. Check out Keith's playing on a live video of Honky Tonk Women and you'll see what I mean. He's playing the intro with only his right hand and not using his left hand in the intro at all! He's just picking at 3 strings, in this case 5th, 4th and 3rd strings which are g, d and g. If you mix in a little syncopation and cool timing you'll get the feel of it. www.stonesmusic.co.uk/HonkyTonk WomenTab.pdf
If you listen to a lot of Rolling Stones songs you'll hear the interplay between the standard tuned guitar (Ron Wood or Mick Taylor) and the open g tuned guitar (Keith). This is an important factor in the Rolling Stones sound. You'll hear this tuning in Brown Sugar, Honky Tonk Women, Tumbling Dice, Can't You Hear Me Knocking, Start Me Up and plenty more besides. When they play live the Rolling Stones often play You Can't Always Get What You Want in open g too, although it was recorded in open e tuning. The open tunings add an extra dimension to the songs. It's a bit like a recipe – and different flavourings to spice things up! If you play guitar in open tuning you'll find that it's easier to write a song as the unusual sounds can be very inspirational. Before long you'll be able to ‘play like Keith Richards' too!
Lastly, remember the capo! Even in open tuning a capo on say, the 5th fret will lead to even more interesting chord variations and that will make things sound ‘sweet' too.
This will help you to play like Keith Richards too. Put the capo on the 5th fret to get the sound for You Can't Always Get What You Want, or put it on the 4th fret to get the sound for Tumbling Dice. If you'd like some more information visit www.stonesmusic.co.uk
About the Author
I am a musician who has played in a Rolling Stones cover band for over 10 years. www.stonesmusic.co.uk
what is the difference between an acoustic guitar capo and an electric (steel string) guitar capo?
Are they the same? are they different? will it hurt the strings or neck of either guitar if you interchange them?
there is no difference from an electric guitar capo and an acoustic guitar capo there are many different type of capo's that work well on some guitar necks better than other differently designed guitar capo's it is a matter of the size and shape the of capo in relationship the neck size and shape, in short, DO NOT buy a capo on-line go to a music store with the guitar and try all capo's on your guitar and see which works best for your guitar size neck.
g7th capo, 6 String Guitar Capo Review